Jaime Scholnick

Jaime Scholnick

  • REVEAL/REVEAL @ Shatto Gallery L.A.
  • "Ukiyo-e in Play" Tokyo National Museum
  • I LOVE DEI series
  • Marshlands
  • Layered Histories Boyle Heights: LAC+USC Restorative Care Village
  • Protest, noun @Torrance Art Museum Jan 19-March 9, 2019
  • Knotting works
  • Our Ottoman Empire
  • LAYERED HISTORIES AT LAX TERMINAL ONE
  • K LINE_ Expo/Crenshaw Station Commission
  • 52 Days Series (formerly Gaza, Mowing the Lawn)
  • Max Blumenthal at CB1 Gallery
  • Redesigned, Repurposed, Re-everythinged
  • LAX Installation: Artfacts Series: Black, White and Flo Red
  • Artifacts
  • Chuckles Series
  • John Wayne Series
  • Hello Kitty Gets A Mouth
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  • Art, the Crenshaw/LAX line and the Stories we Don't Tell at Train Stations
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Girl Being a Sculpture
2026
PVC Pipe, Foam toppers, fabric swatches, Acrylic paint, rhinestone, vintage ottoman.
88” (h) x 48” (Diameter)

I was always extremely inspired by Eva Hesse’s early cord and cloth pieces that were created when she had her studio in a Textile factory in Germany (1964). I loved that she used what was around her as inspiration. Place informed Art. They were playful yet grounded in a formalism of studied Foundational design. 

When I moved to my present studio, my neighbor was a furniture manufacturer. He had inherited the business from his father. There were all manner of materials. Foam toppers, endless upholstery swatch books of prints, colors and patterns. I had been gifted an endless source of inspiration. It changed the direction of my work. This piece utilizes the materials that I scrounged from the shop adjoining my studio. I think of these sculptures as studies for larger, more permanent outdoor sculptures.  


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