Jaime Scholnick

Jaime Scholnick

  • REVEAL/REVEAL @ Shatto Gallery L.A.
  • "Ukiyo-e in Play" Tokyo National Museum
  • I LOVE DEI series
  • Marshlands
  • Layered Histories Boyle Heights: LAC+USC Restorative Care Village
  • Protest, noun @Torrance Art Museum Jan 19-March 9, 2019
  • Knotting works
  • Our Ottoman Empire
  • LAYERED HISTORIES AT LAX TERMINAL ONE
  • K LINE_ Expo/Crenshaw Station Commission
  • 52 Days Series (formerly Gaza, Mowing the Lawn)
  • Max Blumenthal at CB1 Gallery
  • Redesigned, Repurposed, Re-everythinged
  • LAX Installation: Artfacts Series: Black, White and Flo Red
  • Artifacts
  • Chuckles Series
  • John Wayne Series
  • Hello Kitty Gets A Mouth
  • Biography
  • CV
  • Bibliography
  • Links
  • Contact
  • Art, the Crenshaw/LAX line and the Stories we Don't Tell at Train Stations
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TWELVE PORTRAITS_ The small 2D pieces are a reaction to the dismantling of Diversity, Equity, and Inclusion. I wholeheartedly embrace DEI. It is the strength of the United States — this mix of cultures, colors, ethnicities, and belief systems that make up our country. It's beautiful. It's something to be celebrated, not dismantled. It was also a difficult reality of my childhood, when I moved from New York to Newport Beach. Using swatches of upholstery fabric, I created portraits. They poured out of me — two or three a day. I didn't let myself self-censor, no matter how unconventional they felt. Shapes, patterns, and colors came together into these beautiful, unruly faces. Eventually the small portraits grew into larger portrait paintings, which carry more emotional weight; their scale forces direct confrontation with the viewer.
2025
upholstery fabric swatches, Flashe© and acrylic paint
51 x 57 inches


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